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Alma-Tadema, Sir Lawrence Laura Alma-Tadema (mk23) oil painting


Laura Alma-Tadema (mk23)
Painting ID::  22932
Alma-Tadema, Sir Lawrence
Laura Alma-Tadema (mk23)
Sweet Industry c 1904 Oil on canvas,36 x 35.6 cm(14 1/8 x 14 in) Manchester City Art Galleries

   
   
     

Alma-Tadema, Sir Lawrence An Audience at Agrippa's (mk23) oil painting


An Audience at Agrippa's (mk23)
Painting ID::  22933
Alma-Tadema, Sir Lawrence
An Audience at Agrippa's (mk23)
1875 Oil on wood,90.8 x 62.8 cm(35 3/4 x 24 3/4 in) Dick Institute,Kilmarnock

   
   
     

Alma-Tadema, Sir Lawrence After the Audience (mk23) oil painting


After the Audience (mk23)
Painting ID::  22935
Alma-Tadema, Sir Lawrence
After the Audience (mk23)
1879 Oil on wood,91.4 x 66 cm(36 x 26 in)Private collection

   
   
     

Alma-Tadema, Sir Lawrence Pleading (mk23) oil painting


Pleading (mk23)
Painting ID::  22936
Alma-Tadema, Sir Lawrence
Pleading (mk23)
1876 Oil on canvas,21.5 x 33.5 cm(8 1/2 x 13 1/4 in) Guildhall Art Gallery,London

   
   
     

Alma-Tadema, Sir Lawrence Edward Poynter (mk23) oil painting


Edward Poynter (mk23)
Painting ID::  22937
Alma-Tadema, Sir Lawrence
Edward Poynter (mk23)
Diadumene 1884 Oil on canvas,51 x 50.9 cm(20 1/8 x 20 in) Royal Albert Memorial Museum,Exeter

   
   
     

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     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

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     | Henry F Darby | Johann Moritz Rugendas | Sylvestro Lega |


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